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BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS - Review
Alejandro González Iñárritu’s latest film is an immersive experience that blends both dreams and reality for his most surreal and...
Antonio Gonzalez Wagner
Nov 17, 20223 min read


THE BANSHEES OF INISHERIN - Review | TIFF 2022
Martin McDonagh’s latest film certainly includes his darkly comedic trademarks for a much more grounded but disturbing look at a break-up...
Antonio Gonzalez Wagner
Sep 16, 20223 min read


ALL QUIET ON THE WESTERN FRONT - Review | TIFF 2022
Edward Berger’s latest film has currently set the standard so high for any upcoming war film that it’s hard to imagine any of them...
Antonio Gonzalez Wagner
Sep 12, 20223 min read


THE WHALE - Review | TIFF 2022
Darren Aronofsky’s latest film is by far his most raw and secluded film that progresses from being heartbreaking to hopeful. Despite...
Antonio Gonzalez Wagner
Sep 11, 20223 min read


THE FABELMANS - Review | TIFF 2022
Steven Spielberg's latest film while charming ends up feeling bloated and overlong for trying to tell the entirety of how he grew up. As...
Antonio Gonzalez Wagner
Sep 10, 20223 min read


ELVIS - Review
Baz Luhrmann's latest film contains some of the most relentless and overwhelming editing and pacing for a movie maybe ever. In a way, it...
Antonio Gonzalez Wagner
Jul 17, 20223 min read


CLOSE - Review | Cannes Film Festival 2022
Lukas Dhont's latest film is a raw and genuine portrayal of how social pressure can damage an individual and his loved ones. Featuring...
Antonio Gonzalez Wagner
May 26, 20223 min read


BROKER - Review | Cannes Film Festival 2022
Hirokazu Kore-eda's latest film is another gentle and tender drama that feels consistently familiar with the rest of his filmography. As...
Antonio Gonzalez Wagner
May 26, 20223 min read


HOLY SPIDER - Review | Cannes Film Festival 2022
Ali Abbasi's latest film may come across as being easy to identify in what direction its plot will go. But that doesn't take away from...
Antonio Gonzalez Wagner
May 22, 20223 min read
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