THE BANSHEES OF INISHERIN - Review | TIFF 2022

Martin McDonagh’s latest film certainly includes his darkly comedic trademarks for a much more grounded but disturbing look at a break-up between two long-time friends. Colin Farrell, Brendan Gleeson, Kerry Condon, and Barry Keoghan deliver some of their most nuanced and hilarious performances thanks to the brilliant screenplay that brings humor and depth to its existentialist themes and their consequences. Along with the stunning way Ireland's scenery is captured and the film getting more sadistic as it progresses. The surprises and situations that McDonagh puts his characters through will definitely leave a lasting impression. A superb In Bruges reunion of the same quality that could not be more different in execution.

Still Courtesy - Searchlight Pictures

On the fictional island of 1920's Inisherin during the Irish Civil War, Pádraic (portrayed by Colin Farrell) enjoys a passive life caring for the cattle and hanging out in the local pub while living with his sister Siobhan (portrayed by Kerry Condon). But suddenly, Pádraic becomes perplexed when his life-long friend Colm (portrayed by Brendan Gleeson) chooses to avoid him and end their friendship. The sadistic threats that Colm ends up imposing on Pádraic if he fails to comply with his choice end up causing repercussions that forever change both their lives.

If there's someone who has established himself as one of the most talented directors/writers working today, it's Martin McDonagh. Especially after the excellent Three Billboards Outside Ebbing, Missouri (2017) became his biggest critical and commercial hit. But Farrell and Gleeson coming back with McDonagh for this film after working so well on his hilarious and unforeseen debut feature In Bruges (2008). It makes it a very special occasion where comparisons between the two are inevitable. Luckily, The Banshees of Inisherin (2022) stands so well on its own that you wouldn't even need to do that. This is due to its tone and execution being vastly different from what you'd expect in a film by him.

McDonagh's usual mean-spirited and clever banter and exchanges are definitely found here which really bring out the personality and layers of each central character. But they end up being in service for a far more grounded story with a contemplative tone and pace. This certainly makes it a more mature edition to his filmography where that style really serves its many dense themes. These include questioning how we should be spending our time, the sacrifices one must make to achieve what he/she wants, and finding purpose in your life where you leave something behind that others will remember you for. Each central character ends up having to deal with these themes in their own way which makes their interactions incredibly watchable and versatile.

A film that truly breaks down existentialism like this one might sound like a distressing viewing experience. But just like always, McDonagh always finds the perfect balance of naturally incorporating humor with dark subject matter without ever feeling distracting.

Another factor is him writing his characters with such nuance where they'll make choices and be involved in scenarios that would be considered wildly unexpected but earned. Therefore, not knowing what to expect makes it far more engaging while the actors perfectly personify these characters and can communicate so much with just a subtle expression. Especially Farrell and Gleeson whose characters from In Bruges (2008) and this film could not be any more different. As a result, it really adds to their range and makes each film stand out for separate reasons. It really does feel similar to Simon Pegg and Nick Frost's different dynamic from Edgar Wright's Shaun of the Dead (2004) and The World's End (2013).

Even if its structure feels repetitive at points for containing many scenes that only consist of Colm neglecting Pádraic in trying to gain back their friendship. McDonagh has taken all the best aspects of his writing/directing, brought back two of the best actors he's worked with, and blended them together to cherish us with another funny, thought-provoking, and chilling masterwork. Not to mention that never has the location from one of his films felt more lived-in and singular than here. From Carter Burwell's soothing music fitting with the time period to Ben Davis' awe-inspiring cinematography that smoothly lingers on the humongous scenery of Ireland's sea, skies, and grasslands. It easily makes it his strongest film visually while showing his success in taking a different approach to his usual style.

Verdict

9/10

Still Courtesy - Searchlight Pictures