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LA BOLA NEGRA - Review | Cannes Film Festival 2026
Los Javis latest film starts off intriguing, but may require some patience at first when seeing three interwoven stories play out in three different time periods of Spain. However, this queer epic only gets better when witnessing the deep connection between the stories get further developed. This makes its themes of generational sacrifices, oppressive societal norms, and value of story circulation that much more impactful. A truly ambitious and sprawling breakout not only fro
Antonio Gonzalez Wagner
May 233 min read


FJORD - Review | Cannes Film Festival 2026
Cristian Mungiu's latest film may feature an exaggerated portrayal of Norway's authoritative control of immigrants with abnormal views. However, that doesn't stop it from being such an emotionally captivating experience for its entire 2hr 30min runtime, reminiscent to Vinterberg's The Hunt (2012). A film that hauntingly showcases the immoral authority that a host nation can summon to unnecessarily make the lives of their immigrants a living hell. Sebastian Stan and Renate Rei
Antonio Gonzalez Wagner
May 213 min read


IRON BOY - Review | Cannes Film Festival 2026
Louis Clichy's latest film strongly showcases his talent as a former Pixar animator with this dazzling and intense debut. Featuring such a vibrant and simplistic use of low-frame-rate hand-drawn animation, which is always refreshing in this current state of films. Especially during select sequences when the lead boy's frustration with his neck brace is represented with him causing havoc when drastically changing the direction of gravity. Even with this smaller-scaled coming-o
Antonio Gonzalez Wagner
May 213 min read


PAPER TIGER - Review | Cannes Film Festival 2026
James Gray’s latest film certainly feels like it fits during the era of classic 1970’s studio-funded crime dramas, although not to the same standard as those. Featuring some of the best work from a street smart Adam Driver and book smart Miles Teller, as brothers where a misunderstanding leads to rising tensions between them and Russian gangsters. Even with a side storyline with Scarlett Johansson as Teller’s wife that ties with the film’s themes of the dangers from the publi
Antonio Gonzalez Wagner
May 183 min read


CLUB KID - Review | Cannes Film Festival 2026
Jordan Firstman's latest film may be labeled as the gay version of an Eugenio Derbez film, Instructions Not Included. Yet, the perfect balance of lighthearted and dark humor with its relentless pace and exquisite visuals, these aspects make Club Kid vastly superior with how remarkably well Firstman helms this film. Not to mention, the charisma and naturalness that he brings as the troubled lead character who gets a wake-up call to fix his life when an unexpected visitor arriv
Antonio Gonzalez Wagner
May 173 min read


FATHERLAND - Review | Cannes Film Festival 2026
Pawel Pawlikowski's latest film serves as the ultimate German identity crisis drama, offering a short but deep look into regaining your native soul when our two leads return to their home country and witness the repercussions from the Third Reich's actions/demise. The haunting last scene is a perfect encapsulation of this, and the meticulous direction mixed with the always dynamic black-and-white framing from Łukasz Żal only makes scene like these far more cinematic. Its slow
Antonio Gonzalez Wagner
May 163 min read


TANGLES - Review | Cannes Film Festival 2026
Leah Nelson’s latest film is a poignant but dazzling drama that doesn’t hold back from capturing the gut-punch from slowly losing loved ones from Alzheimer’s disease. Being a 2D adult animated film, it’s a prime example of using the medium to its most grimy/creative potential to best capture the subject matter for viewer impact. This really separates it from other films dealing with the same issues as viewers suddenly are sucked into the chaotic psychological mindset that the
Antonio Gonzalez Wagner
May 153 min read


SENTIMENTAL VALUE - Review | Cannes Film Festival 2025
Joachim Trier’s latest film may provide strong familiarity to his last film given the familiar faces/aesthetic. However, its powerful...
Antonio Gonzalez Wagner
May 21, 20253 min read


SPLITSVILLE - Review | Cannes Film Festival 2025
Michael Angelo Covino’s latest film takes the “friendship damaged by infidelity” concept from his last film and builds a more ambitious...
Antonio Gonzalez Wagner
May 20, 20253 min read


DIE MY LOVE - Review | Cannes Film Festival 2025
Lynne Ramsay's latest film serves as a masterful showcase for Jennifer Lawrence's extreme acting who doesn't hold anything back when portraying a mother dealing with postpartum depression. Even with Robert Pattinson providing more of the charm as her husband, seeing Lawrence's escalation to insanity makes it a provocative journey to witness along with reaching a moment where its harder to sense a clarified point in time within the film. However, despite a fascinating set up i
Antonio Gonzalez Wagner
May 18, 20254 min read


BLUE MOON / NOUVELLE VAGUE - Review | Berlinale/Cannes 2025
Richard Linklater's latest film brings back the comfort from contained dialogue driven-dramas reminiscent to Woody Allen films as viewers follow the various interactions lyricist Lorenz Hart has with the guests/workers of a bar after the opening night showing of the musical Oklahoma!. Thus, it serves as a transformative acting showcase for Ethan Hawke as Hart along with Andrew Scott as the musical's composer, Richard Rodgers, as they play against type. Even with the charm tha
Antonio Gonzalez Wagner
May 18, 20256 min read


ANORA - Review | Cannes Film Festival 2024
Sean Baker’s latest film blends the best of his comedic and dramatic storytelling skills as we follow a sex worker’s lucky shot at...
Antonio Gonzalez Wagner
May 21, 20245 min read


THE APPRENTICE - Review | Cannes Film Festival 2024
Ali Abbasi’s latest film is his most fast-paced, grounded, and accessible film yet that shows Trump’s corrupt transformation through his...
Antonio Gonzalez Wagner
May 21, 20245 min read


THE SUBSTANCE - Review | Cannes Film Festival 2024
Coralie Fargeat's latest film has become the film to beat for providing one of the most creative, spellbinding, and gnarly experiences...
Antonio Gonzalez Wagner
May 20, 20244 min read


EMILIA PÉREZ - Review | Cannes Film Festival 2024
Jacques Audiard’s latest film is the defining Spanish musical whose creative, rapturous, and meaningful presentation truly confirms the...
Antonio Gonzalez Wagner
May 19, 20244 min read


MEGALOPOLIS - Review | Cannes Film Festival 2024
Francis Ford Coppola’s latest film is the absolute rare of enormously scaled arthouse epics where nothing about its experimental...
Antonio Gonzalez Wagner
May 16, 20245 min read


ASTEROID CITY - Review | Cannes Film Festival 2023
Wes Anderson’s latest film in a way feels like a commentary on criticisms made towards his work as he creates a meta-story structure...
Antonio Gonzalez Wagner
May 23, 20234 min read


KILLERS OF THE FLOWER MOON - Review | Cannes Film Festival 2023
Martin Scorsese’s latest film is certainly grand in scale but diminished, raw, and grounded at its core. Less of a detective drama like...
Antonio Gonzalez Wagner
May 20, 20236 min read


THE ZONE OF INTEREST - Review | Cannes Film Festival 2023
Jonathan Glazer's latest film is one of the most unique, bold, and original movies focused on the Holocaust ever made. By refusing to...
Antonio Gonzalez Wagner
May 19, 20233 min read


CLOSE - Review | Cannes Film Festival 2022
Lukas Dhont's latest film is a raw and genuine portrayal of how social pressure can damage an individual and his loved ones. Featuring...
Antonio Gonzalez Wagner
May 26, 20223 min read
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